RME FireFace UCX USB audio rozhraní

RME FireFace UCX

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.
The result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes.

Features:

• Hybrid interface that gives you pro-quality sound and tons of flexible recording options
• Sports redesigned Hammerfall converters and a pair of pro-quality microphone preamps
• Integrated DSP monitor controller
• TotalMix FX DSP provides latency-free processing, effects, and monitor mixing
• FireWire 400, USB 2.0, and USB 3 connectivity for use with virtually any computer
• Can connect to your iPad 2 via the Camera Connection Kit

Specifications:

• Analog inputs AD, 1-8:
• Connector Type: 6.3 mm TRS jack, balanced,
• Signal to noise ratio [SNR]: 110 dB RMS unweighted, 113 dBA
• Bandwidth @ 44.1 kHz, -0.1 dB: -0.1 dB: 5 Hz - 21.5 kHz,
• Bandwidth @ 96 kHz -0.5 dB: 5 Hz - 45.5 kHz,
• Bandwidth @ 192 kHz, -1 dB: 5 Hz - 66.5 kHz,
• THD: <-110 dB <0.00032%
• THD + N <-104 dB <0.00063%
• Channel separation:> 110 dB,
• The input sensitivity: Lo Gain, +4 dBu, -10 dBV,
• Input Level for 0 dBFS @ Lo Gain: +19 dBu
• Input Level for 0 dBFS @ +4 dBu +13 dBu
• Input Level for 0 dBFS @ -10dBV: +2 dBV.

AD microphone inputs, 9-12:
• Connector Type: Combo - XLR, balanced,
• Signal to noise ratio [SNR]: 112 dB RMS unweighted, 115 dBA
• Gain range: 65 dB,
• The maximum input level [Gain 0 dB]: +12 dBu
• The rest of the specification the same as that of the input terminals TRS.

Inputs instrumental AD, 9-12:
• Connector Type: Combo - ,: 6.3 mm TRS TS jack, unbalanced,
• Signal to noise ratio [SNR]: 112 dB RMS unweighted, 115 dBA
• The [Gain]: 55 dB.

DA analog outputs, 1-2 Stereo Monitor:
• Connector Type: XLR, balanced,
• Set the output level of 24 dBu, Hi Gain, +4 dBu, -10 dBV,
• The output level for 0 dBFS @ 24 dBu: +24 dBu
• The rest of the specification the same as the output connectors TRS (below).

DA analog outputs, 3-8:
• Connector Type: 6.3 mm TRS jack, balanced,
• Dynamic range: 115 dB RMS unweighted, 118 dBA
• Bandwidth @ 44.1 kHz, -0.5 dB: 5 Hz - 22 kHz,
• Bandwidth @ 96 kHz -0.5 dB: 5 Hz - 34 kHz,
• Bandwidth @ 192 kHz, -1 dB: 5 Hz - 50 kHz,
• THD: -104 dB <0.00063%
• THD: -100 dB <0.001%
• Channel separation:> 110 dB,
• Output Impedance: 75 Ohm,
• Set the output level Hi Gain, +4 dBu, -10 dBV,
• The output level for 0 dBFS @ Hi Gain: +19 dBuB,
• The output level for 0 dBFS @ +4 dBu +13 dBu
• The output level for 0 dBFS @ -10dBV: +2 dBV.

DA analog headphone outputs, 9-12 [front]:
• Connector Type: 6.3 mm stereo TRS jack, unbalanced,
• Maximum output level at 0 dBFS, set to "High": +13 dBu
• Maximum output level at 0 dBFS, set to "Low": +2 dBV,
• Output Impedance: 30 Ohm.

AES / EBU: Connector Type: XLR, transformer balanced, galvanically isolated.

ADAT:
• Connector Type: ADAT Toslink
• Number of connections: 2 inputs, 2 outputs,
• "Standard": 2 x 8 channels, 24-bit, up to 48 kHz,
• "Double Speed" [S / MUX] 2 x 4 channels, 24-bit, 88.2 kHz, 96 kHz,
• "Quad Speed" [S / MUX4]: 2 x 2 channels, 24-bit, up to 192 kHz.

Word Clock: Connector Type: BNC switch 75 ohm internal termination.